Book Cover Lookalike Fashion, Part Three

And so we come to what is now an annual feature of the Bethany House fiction blog…pairing the costuming choices of some of our historical book covers with modern fashion! Take a look at these beauties, releasing in 2020 or from early 2021, and their corresponding lookalike dresses. (You can scroll through our first and second years of doing this as well.)

Which of these dresses would you be most likely to actually wear?

Meet an Audiobook Narrator!

Audiobooks have taken off in the past several years, and we love that readers can experience their favorite books while they’re commuting, folding laundry, or working out. Sometimes readers will ask me questions about what goes into recording an audiobook…and I rarely know the answer. At Bethany House, we license our audio rights to places like Recorded Books to create and distribute the content, so there’s no sound studio down the hall from editorial where I can watch the process.

However, I’m excited to share this guest interview with you, from the talented Leah Horowitz. She’s narrated several Bethany House titles, most recently Things We Didn’t Say by Amy Lynn Green, A Gilded Lady by Elizabeth Camden, and The Haunting at Bonaventure Circus by Jaime Jo Wright. (You can follow her on Instagram at @theLeahReport.) She graciously agreed to share about some of the behind-the-scenes of how an audiobook comes to be.

Amy: What made you explore audiobook narration? How did you get started?

Leah: I’ve been a professional actor, working in musical theater on Broadway, for (eek) about 20 years. But my very favorite thing has always been reading. I had been interested in narrating books for a long time, and finally got a chance to start about a year ago, through a friend in the business. Since I also have a lot of experience recording music and cast albums, I immediately felt at home in the booth, and I still can’t believe I get to read for a living.

Amy: What do you do to prepare for a recording?

Leah: The very first thing I do is read the book! That often surprises people, but of course I need to get to know the plot and the characters, instead of reading it completely cold. As I read, I keep a list of the characters, and I also jot down any words I’m not sure how to pronounce. These are often place names, character names, and words in other languages. As soon as I finish, I send my word list in to the research department, and they send it back to me with all the words written out in IPA (international phonetic alphabet).

In the meantime, I think about the characters. Sometimes I cast famous actors in these “roles,” or people I know; anything to help me differentiate them for myself and the listener. I have found that getting the essence of a character works much better for me than just thinking, “this character has a very low/high/scratchy voice.” The more specific, the better! Sometimes the author’s descriptions of the characters are so evocative that I know who they are right away. Then I go into the booth with lots of bottles of water and hope for the best!

Amy: What’s something that listeners might not notice about the final audiobook that’s a lot of work on your part?

Leah: Probably how much the narrator stops and starts during the process. I certainly never thought about that before I started narrating. And I do think, the more you narrate, the longer the stretches you can talk smoothly without stopping. But even if you don’t have to stop to drink, cough, or scratch your nose, there are always other reasons to stop. You might come to one of those words you aren’t sure of and have to stop to consult the research list.

Also, during the pandemic I’ve been recording at home, in a closet (yup!), and our house is two blocks from train tracks, so I have to pause a few times an hour to let a train go by. Or my husband will slam a door downstairs, or a motorcycle will zoom by. So you stop, wait, then pick up from right before the pause/disturbance occurred. And because of all this, recording an hour of a book might take 75 minutes or even 2 hours! And the listener will never know. Well, I guess now they do.

Thanks so much for giving us a glimpse into your world, Leah! Talk to us, readers: when do you enjoy listening to audiobooks?

Ask Bethany House 2021…and a Giveaway!

It’s a new year, readers, and that means that we need new questions from you to answer in our Ask Bethany House Publishers monthly feature. I always enjoy hearing what readers want to know, from the quirky to the informative to the wow-that-one-even-stumped-me.

Take a second and think through this list to generate ideas. Have you ever wondered…

  • Whether the tips about what a writer should “always” or “never” do when interacting with a publisher are actually true?
  • How one of the steps between an author writing a book and you picking it up off a shelf actually happens?
  • What we at Bethany House think about various trends or new developments in publishing?
  • If the nagging question that others have passed around on social media reader groups has an answer?

These are just a few prompts out of many to start your thinking. We welcome any and all questions to our Ask Bethany House poll.

Once you’ve submitted at least one question, just for fun, come back here and comment with a book that you’re looking forward to in the new year. We’ll enter you in a giveaway to win one of our January or December new releases and choose the winner on 1/14/21.

Prayer for Authors: January 2021

Since it’s the first Sunday of the month, we’ll be continuing the Bethany House Fiction tradition of taking time to pray for authors who have new releases coming out this month. I’m Amy Lokkesmoe, the fiction publicist here, and I’m thankful for all of the readers who show their support for our authors in the way that matters most: by praying for them. To read more about the reasons behind this time of prayer, go to this post.

Authors with Books Releasing in January:

Misty Beller
Jody Hedlund
Tracie Peterson
Roseanna M. White
Kimberley Woodhouse

Verse of the Month: Feel free to use the text of this verse to guide your prayers for these authors, as well as other people in your life who you want to remember in prayer today.

“Come unto me, all ye that labour and are heavy laden, and I will give you rest.”—Matthew 11:28 (KJV)

General Suggestions for Prayer:

  • For true and renewing rest after (and even in the middle of) busy seasons.
  • For these authors to be encouraged by messages from readers describing the impact of their books.
  • For all those who work in roles to connect these books to readers, including bookstore owners and employees, librarians, and publishing staff to start the year off with new energy and goals.

As we start this new year, thank you for joining with us in prayer for these authors and their books. We all appreciate it!

January 2021 New Releases

Welcome to a brand-new year! We’re excited for all that 2021 will hold…especially when it comes to filling out many of your “keeper shelves.” If you’re looking to use a Christmas gift card or just need a cozy read to cuddle up with, we’ve got some fantastic releases this January for you to check out. Click on the cover to start reading and see what’s perfect for you!

Endless Mercy by Tracie Peterson and Kimberley Woodhouse
The Treasures of Nome #2

Plot Summary: When Madysen Powell’s supposedly dead father shows up, her gift for forgiveness is tested and she’s left searching for answers. Daniel Beaufort arrives in Nome, longing to start fresh after the gold rush leaves him with only empty pockets, and finds employment at the Powell dairy. Will deceptions from the past tear apart their hopes for a better future?

Faith’s Mountain Home by Misty Beller
Hearts of Montana #3

Plot Summary: Nate Long has always watched over his twin, even if it’s led him to be an outlaw. When his brother is wounded in a shootout, it’s their former prisoner, Laura, who ends up nursing his wounds at Settler’s Fort. She knows Nate wants a fresh start, but struggles with how his devotion blinds him. Do the futures they seek include love, or is too much in the way?

Dreams of Savannah by Roseanna M. White

Plot Summary: After receiving word that her sweetheart has been lost during a raid on a Yankee vessel, Cordelia Owens clings to hope. But Phineas Dunn finds nothing redemptive in the horrors of war, and when he returns, sure that he is not the hero Cordelia sees, they both must decide where the dreams of a new America will take them, and if they will go there together.

A Cowboy for Keeps by Jody Hedlund
Colorado Cowboys #1

Plot Summary: After being robbed on her trip west to save her ailing sister, Greta Nilsson is left homeless and penniless. Struggling to get his new ranch running, Wyatt McQuaid is offered a bargain—the mayor will invest in a herd of cattle if Wyatt agrees to help the town become more respectable by marrying…and the mayor has the perfect woman in mind.

Is there a new or upcoming release in 2021 that you’re excited about? Tell us about it!

Ask BHP: Grab Bag Questions!

Hello, readers! Since it’s almost the end of the year, I thought I’d snag a few questions from our Ask BHP Survey that have shorter answers and get to them all at once. Look for a new chance to ask questions come January!

Q: How does one become a test reader? Is that a job that can be applied for? I only ask because I’ve never heard of this before. It was mentioned in the September Ask BHP post.

A: In that post (talking about the process a book goes through before publication) the test readers referred to are actually Bethany House staff. Some of them are editors, others are people like me in marketing or our receptionist who just enjoy a particular genre. At that stage in the process, they’re not reading to notice details like grammar, just whether the story works and holds their interest. That said, some (but not all) authors have what they call beta readers, or people who read a manuscript early in the process to give feedback. It usually isn’t a paid position, but many readers find it very rewarding to help improve a book from a favorite author. If you’re interested, be sure to join reader Facebook groups in genres you enjoy and follow your favorite authors on social media and their newsletters–that’s where those rare opportunities are most often shared.

Q: How do you decide how many copies to print of a book from a new (first time published) author?

A: This is often more art than science, but we tend to look at factors like: how many copies do books in this genre usually sell? What kind of audience has the author built up already? (Even debut authors might have a newsletter or an audience they’ve attracted from speaking or writing articles or short fiction.) How many copies have other debut authors in this category recently sold? Are there any endorsements or other potential sales boosts that would raise the numbers? After our VP of Sales gives us a projection and we discuss/debate it, we present it to the whole sales team, including the representatives who will actually be selling the book to buyers at bookstore chains. After hearing a presentation about the book, they can tell us if they think our sales estimates are too high or low. We try to be as careful as possible, but of course, sometimes we over- or under-estimate. That’s part of what makes book publishing an adventure!

Q: What is the average time between concept and publishing for a novel?

A: This depends hugely on an author’s writing speed. Tracie Peterson, for example, releases about four books a year, so you can imagine that her timeline is on the shorter end! But here’s one way to look at it: a year ago this month, December 2019, we approved My Dear Miss Dupré by Grace Hitchcock for a book contract, along with a series set in the Grand Canyon by Kimberley Woodhouse. Because Grace was a new-to-Bethany-House author, a lot of that book was already written before the contract, so she finished it and turned the rough draft in by spring 2020. My Dear Miss Dupré is releasing in March 2021, meaning that from contract to publication date, it took fifteen months (she may have had the idea long before that, though). For Kimberley’s series, we only had a few sample chapters to look over, so she turned in the first book’s rough draft in fall of 2020. Book one (I’m not naming it here because I’m not sure she’s announced it, and we haven’t even designed the cover yet) releases in October 2021, so from contract to publication date, it took 22 months. That’s a lot of time, but we have to make sure a book is well written, edited, designed, and marketed!

Q: How much input in choosing titles do your authors have?

A: Authors always submit a list of titles along with their original proposal for the book to the publishing team. (Well, unless they’re an author who hates coming up with titles and just says, “So-and-So’s Book,” trusting us to come up with something else.) Their editor usually brainstorms too, either with them or separately, and then the Titling Committee, made up of people from editorial and marketing, are given a synopsis of the book, a list of themes/symbols/other important details the author provides, and the potential titles. They meet, discuss, and sometimes pick one of the titles as-is…or they tweak it, combine two, or come up with something totally new. The editor then returns to the author with the title that everyone on the committee agreed on for the author to approve.

Q: How do you (or do you?) interact with the other divisions of Baker Publishing Group?

A: For those who don’t know, Bethany House is part of a larger family-owned Christian publishing company, called Baker Publishing Group. On a big-picture level, we meet with our co-workers from other divisions at our sales conferences three times a year as well as our strategy summit and other video calls for things like brainstorming how to use budget money and sharing marketing ideas. On a micro level, I’m always shooting questions to my co-workers from other divisions, even my “nonfictional coworkers” as I fondly call them, setting up fun collaborations between fiction and nonfiction authors, asking them to recommend podcasts, or seeing if a particular outlet has worked well for them. A special shoutout goes to my “fictional coworkers,” though, our friends on the marketing team at Revell. We often work together for promos, update each other on industry changes, and swap stories of things that worked and things that flopped. That kind of collaborative environment is one of the great things about working at (and publishing with) Bethany House.

Q: So many of my top reads of 2020 were Bethany House Publisher books. Great job!

A: This isn’t a question, but I was delighted to see it (and several other kind comments like it). Thanks so much, and be sure to review those favorite books at the end of the year. It means so much to all of our authors!

Did any of these answers or details about publishing surprise you? If so, which one(s)?

Christmas Storytime: Three Holiday Excerpts

It’s beginning to look a lot like Christmas…and if here at Bethany House, we’re celebrating the season with a few holiday scenes from some of our recent novels. Although only one is set entirely at Christmas, these joyful moments show us how others make Christmas merry, and help us learn a little about the main characters, too. Enjoy, and have a very bookish holiday!

From An Ivy Hill Christmas by Julie Klassen

Christmas 1822

A short while later, they all strolled down the drive and up the High Street together, talking softly amongst themselves as they went. Justina and Nicholas shared one lamp, as did Horace and Penelope, Rachel and Sir Timothy, Richard and Arabella, and Murray and Jamie, who seemed happy to be in their company.

Richard looked down at Arabella. “Are you sure you’re not too cold? We could have taken the curricle.”

“I am perfectly well, but thank you for your concern.”

He was concerned about her well-being, he realized. Dash it all.

She smiled, adding, “It was kind of you to invite Jamie.”

He nodded, then winked. “Let’s just hope he sings better than Timothy.”

When they reached the almshouse, the carolers clustered near the door and at Rachel’s signal, began singing, “God Rest Ye Merry, Gentlemen.”

The front door opened, and the matron, Mrs. Mennell appeared. “Please come in!” she beckoned. “Not everyone is able to come to the door.

So the little troupe filed inside, squeezing into the entryway. In the small parlour sat the same elderly women and single man they’d seen on their last visit, lap rugs over their legs, and some with teacups in their gnarled fingers. They all turned eager eyes on the inexperienced but willing carolers, who next sang “The First Noel.”

As the last note fell away, the small crowd clapped appreciatively and Richard noticed tears in more than one pair of weary eyes. Something in his chest cracked, then loosened, and a tendril of joy sprouted in his heart.

From The Dress Shop on King Street by Ashley Clark

Christmas 1946

Mrs. Stevens had given Millie an early Christmas gift—some money with which to buy fabric for a party outfit. Day and night for two whole weeks, Millie had dreamed up what to sew. Finally, she decided on a red and green floral that she ruched at the bust, with a full skirt and a trail of buttons along the neckline.

And, of course, her favorite cloche. She never went anywhere without it.

She’s used the last of her money on the fancy buttons, so she had to wear her scuffed-up black Mary Janes. But the goal, of course, was that the guests might be so enraptured by her dress they wouldn’t notice her shoes.

And by guests, of course she meant Franklin.

Two hours later, everyone had eaten their fill, and Mrs. Stevens played her new Benny Goodman record for anyone who wanted to dance.

Franklin wore suspenders, the new hat Mrs. Stevens had given him, and a grin that warmed Milled more thoroughly than the crackling fire beside them. He held out his hand. “Want to dance?”

He knew he needn’t ask. Millie had been less than subtle in expressing how perfect the skirt of her dress might be for dancing. A girl only got the opportunity to dress as a princess once in a blue moon, and Millie had every intention of enjoying her moon before it passed.

From Before I Called You Mine by Nicole Deese

Christmas Present Day

The Avery Family Anniversary Christmas Eve Crab Feed could easily be considered last-meal-on-earth material. I’d never buy crab in a can again.

Sometime between Joshua tying a plastic bib around my neck and Emma singing “Jingle Bells” while using the shelled crab legs as her instrument of choice. . . I’d completely fallen in love with the lot of them. I’d laughed my oxygen supply out more than once, sucking wind so badly that my sides ached, especially after Joshua intentionally bumped my shoulder at the exact moment I finally got the perfect grip on the cracking tool. After such an unfair move, I shoved my entire pile of crab legs in front of him, declaring his punishment was to crack them all. He agreed without a fight, and his mother and Rebekah applauded my sass. “Good one, Lauren,” Elizabeth affirmed. “Don’t you let him get away with that.”

Stuffed to the point of not even wanting to discuss dessert, we concluded our evening with George reading us the first chapter of Luke. I could listen to his storytelling voice every day of the week and never tire of it. His baritone was as deep and distinguished as an Oscar-winning actor. Emma interrupted the passage multiple times, fluffing the ruffly skirt of her dress and asking questions like “Where did the wise men buy their gifts, Papa?” and “What kind of wood was the manger made out of—did it have splinters in it?” and “How could a star shine so brightly for all that time?” All the while, her baby brother slept soundly on his mother’s lap, instinctively sucking his fingers every few seconds. The scene burrowed deep into my subconscious.

Even now, hours after the last dish had been washed, dried, and stacked, and long after the fireplace had stopped crackling, I could still see them snuggled together, the image of mother and child. Why wouldn’t God just take my desire away already? If I was supposed to wait, supposed to press pause on my adoption plans, then why did I still feel like my lungs were being pummeled by an iron fist every time I saw a woman around my age with a child?

[Scene cut off here because SPOILERS and romance and such, ha!]

Can you think of a book that isn’t Christmas-themed from start to finish but that has a fun Christmas scene?

December 2020 New Releases

Happy December, readers! I hope as Christmas comes near that you’re able to celebrate this season in a meaningful way and find time for reflection and peace in the midst of all the chaos. Here at Bethany House, we’re always in favor of quiet evenings with books by the fireside, whether there are stockings hung from the mantel or not. Take a look at these four new novels and read an excerpt of each…we hope you’ll find a new favorite!

Courting Misfortune by Regina Jennings
The Joplin Chronicles #1

Plot Summary: Assigned to find the kidnapped daughter of a mob boss, Pinkerton operative Calista York is sent to a rowdy mining town in Missouri. But she faces the obstacle of missionary Matthew Cook. He’s as determined to stop a local baby raffle as he is the reckless Miss York whose bad judgement consistently seems to be putting her in harm’s way.

To Dwell among Cedars by Connilyn Cossette
The Covenant House #1

Plot Summary: Determined to bring the Ark of the Covenant to a proper resting place, Levite musician Ronen never expected that Eliora, the Philistine girl he rescued years ago, would be part of the family he’s to deceive. As his attempts to charm her lead in unexpected directions, they question their loyalties when their beliefs about the Ark and themselves are shaken.

The Dress Shop on King Street by Ashley Clark
Heirloom Secrets

Plot Summary: In 1946, Millie Middleton left home to keep her heritage hidden, carrying the dream of owning a dress store. Decades later, when Harper Dupree’s future in fashion falls apart, she visits her mentor Millie. As the revelation of a family secret leads them to Charleston and a rare opportunity, can they overcome doubts and failures for a chance at their dreams?

A Castaway in Cornwall by Julie Klassen

Plot Summary: Laura Callaway daily walks the windswept Cornwall coast, known for many shipwrecks but few survivors. And when a man with curious wounds and an odd accent is washed ashore, she cares for him while the mystery surrounding him grows. Can their budding attraction survive, and can he be returned to his rightful home when danger pursues them from every side?

What about you, readers? Are you able to read during the Christmas season, or are you planning to curl up with a good book post-holidays?

Deaf Representation in Fiction: A Conversation with Sarah Loudin Thomas

Hello, readers! It’s Rachael, and I’m here to share the conversation I had with Sarah Loudin Thomas about her new release, The Right Kind of Fool. As someone who has studied American Sign Language and Deaf culture over the years, I was thrilled when I found out Sarah would be writing this book, and I really wanted to learn more about her background and what went into her research process! I even got to model signs for her postcard—how exciting is that?

I hope you enjoy learning more about Sarah and her hero, Loyal!

About the Book:

When deaf teen Loyal Raines stumbles upon a dead body in the nearby river, his absentee father, Creed, is shocked the boy runs to him first. Pulled into the investigation, Creed discovers that it is the boy’s courage, not his inability to hear, that sets him apart, and he will have to do more than solve a murder if he wants to win his family’s hearts again.

Rachael: Thanks for chatting with me, Sarah! I’m curious, what inspired you to write The Right Kind of Fool?

Sarah: I was researching a completely different story about the unsolved murder of Mamie Thurman who was killed near Logan, WV, in 1932. As I was reading about it, I found an account that said her body was discovered by “a deaf, mute boy.” And my imagination was off and running! Who was he? What was it like to be deaf in a rural community where sign language wouldn’t have been commonly known? How did he tell the news and did he testify? I eventually found information about the trial that said he used “hand signs” in court. So I abandoned poor Mamie and made a thirteen-year-old deaf boy who is the hero of my story!

Rachael: I love how Loyal’s story drew you in! You’ve said before that the most remarkable thing about Loyal as a character isn’t his deafness. What would you say it is?

Sarah: Loyal is courageous, kind, and . . . well . . . loyal! He doesn’t think of himself as less than or handicapped because he’s deaf. He’s pretty confident about his abilities which just happen to be slightly different. And his goal is to demonstrate just how capable he is to the people he loves the most. And, I think, he’s pretty successful at it in the end!

Rachael: Loyal is amazing. It made me so happy to see you feature a deaf hero in your story! Why do you think deaf representation in fiction is important?

Sarah: If humans experience it, I think it’s fair game for representation in fiction. So much of storytelling is transporting the reader into another time or place or experience. It’s why we tell stories isn’t it? How many of us as kids tried walking around with our eyes closed to see what it’s like to be blind. Or with our hands over our ears to see what it’s like to be deaf. We have innate curiosity that I think can lead to understanding, empathy, and a deeper appreciation for each other. I love writing characters who are different from me so I can walk around in their shoes for a while! 

Rachael: That’s so true! Had you studied American Sign Language before writing this book? What inspired you to study it?

Sarah: I’d learned the basics thanks to my second grade teacher, Mrs. Lashley, back in grade school. I still knew the alphabet and a handful of signs. I’ve long thought it’s an incredibly beautiful way of communicating, and I love how facial expressions and body language are tied up in it. I’ve always had a terrible poker face so it’s nice to learn a little bit of a language where that’s part of the goal!

Rachael: I agree—it’s a fascinating language! What did your research process look like? Did you learn anything intriguing about the language while researching?

Sarah: I spent time on websites targeting the deaf community and I highly recommend a book called Seeing Voices by Oliver Sacks. That notion of SEEING language really resonated with me. I learned that it’s kind of annoying when hearing people do things like yell or talk really slowly. Neither of which helps in the least. And how reading lips is challenging and requires a great deal of focus and energy. Especially when hearing people do things like turn their heads or put their hands in front of their mouths. And while many deaf people CAN talk, they may prefer not to—Loyal expresses that at one point in the story.

Rachael: How did you go about weaving in sign language—a very visual practice—into a written story?

Sarah: I described key signs in a step-by-step way. Often, the signs are seen from the perspective of a hearing person. Like when Loyal’s father, Creed, sees that the sign for yes—a fisted hand moving up and down—looks like a head nodding. So many signs are pretty intuitive. For “hungry” you make a C-shape and touch the open side of the C to your chest, dragging it down toward your stomach, following the path food would go! I was also careful to include signs that could be described pretty simply—I’ll leave the more complex stuff to the experts!

Rachael: It was easy for me to visualize the signs while reading. You did a great job! How would you describe the way that communication is different between spoken and sign language?

Sarah: Wow—that’s a thinker! I can only share my observations since I really don’t use ASL to communicate. But I think sign is more visceral. It’s full-body communication so what a speaking person would put into tone and inflection comes through in facial expressions and body language. And I think when you’re expressing yourself with your whole body it’s just naturally going to be felt more deeply.

Rachael: Yes, it’s so powerful! Do you have any other books to recommend that involve deaf characters?

Sarah: Sons of Blackbird Mountain by Joanne Bischof features a deaf hero—plus, it’s set in Appalachia! And Jan Karon’s Light from Heaven includes a deaf woodworker named Clarence. I’m sure there are many more, but those two come to mind . . . 

Readers, do you have any favorite books that involve deaf characters?

Ask BHP: What’s Different in 2020?

Our question today was sent to me in a message to our Facebook page (part of a longer conversation with one of our bloggers), and I thought it would be fun to answer it here. She asked, “How has the pandemic affected Bethany House? Anything readers can do to help authors right now?”

Most of this won’t be a surprise, but if you enjoy keeping up with what’s going on in publishing, here are some broad categories, along with what you as a reader can do.

Book Sales

Generally, print books sales went down in the spring, while ebooks went up, and then both returned to normal levels in the summer and fall. Sales from physical stores (not online sales for stores like Barnes & Noble with a website to order from) are still lower than normal levels. Libraries have stayed constant, and one fun thing is that we’re seeing a rise in non-traditional library sales for services like Hoopla and Overdrive so that libraries can make sure their patrons have ebooks while they’re staying at home.

Reader Takeaway: if you have a local bookstore, please buy a few books from them over the holiday season. Even if you don’t have a store you can walk into, many independent stores have an online sales component. (I just bought some books from Magers and Quinn and The Wild Rumpus here in Minneapolis, not to mention the way I’ve hit up the deals at Baker Book House.) Amazon is going to do just fine without your business, but other retailers might not. Even if you have to pay a little more for shipping, it’s worth it. Indiebound.org is a good resource for finding an independent store in your area.

BHP Office

Most of us at Bethany House are working from home, except for a few people who need to go into the office for their regular work. Things like transferring files to the printers, packing book mailings, and overseeing the front desk are hard to do remotely, but otherwise the office is mostly empty. We’re excited to be back together again sometime, but in the meantime, we’ve figured out how to have cover meetings, brainstorming sessions, and even our monthly prayer meetings and bi-weekly “snack time” updates over Zoom. Now, what we’ll do for our National Oreo Day celebration in March if we’re still at home is anyone’s guess… (Clearly, I have my priorities right.)

Reader Takeaway: Because we’re all still able to do our jobs, none of our books are being rescheduled or cancelled, yay! We’re so grateful for everyone working hard to adapt to new systems.

Social Media

We’ve also seen a rise in online events. As more people learn to use Zoom, book clubs are asking authors to drop in and chat about their books, writing groups have asked me to share about marketing strategies, and bookstores and libraries have hosted authors for readings. It’s a fun way to connect readers to authors in a more personal way.

Reader Takeaway: We often announce these events in our Bethany House newsletter—be sure to sign up if you haven’t already!

Fiction Impact

It’s not so much a change as a continuation of something we already knew, but our authors are sharing heartfelt messages from readers they’ve received about how important fiction has been to them in this hard year. That’s so encouraging! We always pray that the message of these books impacts people when they need them most, and several of our 2020 releases have dealt with themes of trust, courage, and hope that applied in a way none of us expected.

Reader Takeaway: If a book has meant a lot to you this year, reach out and the let the author know, either on their social media or through a form on their website. It may very well make their day!

Those are the biggest changes that I can think of. And no, we haven’t had any authors propose a new book series about a pandemic yet. Our instinct is that people might just be a little too close and tired of all of this to want to read a novel about it, even if it released eighteen months from now. What do you think, readers? Would you agree with that?